Prasat Prei đánh giá

Đền Phrae hoàn toàn là một ngôi chùa tôi tìm thấy bất ngờ khi tôi đến thăm chùa Sơn Gươm, anh ấy không bắt mắt nhưng rất cổ từ vì rất ít người đến đây, hiện tại chưa được hoàn toàn mở nhưng chúng tôi có thể vào và ngắm cảnh bên trong, Mặc dù đều là một số kiến trúc không có phong cách nhưng ở đây bạn có thể thấy nhiều cảnh thú vị vì ít người nên như cây lớn tự tự lớn từ rất điên và cây cối những người sống sót bên tường bằng sức mạnh thêm

It bears the same name as the Banteay Srei, and Samre refers to a minority originally living in Phnom Kulen. It is said to belong to the era of Suryavarman II (AD 1113-1150). The base of Banteay Samre is one metre high. It was surrounded by a moat, like the Aral Sea that surrounds Mount Xumi. Tourists are scarce and the environment is quiet. Entering Bantisema Temple, there are remnants of corridor pillars on both sides of the corridor. The wooden roofs of these corridors have long since disappeared.

Prai Temple is a very small temple located in the northeast direction of the Saint Sword Temple, between the Saint Sword Temple and the Dragon Pool, surrounded by trees, almost no tourists visit. The central monastery is well preserved, but the surrounding buildings have basically collapsed. The top of the main temple is double-decked lotus in front, but there is no double-decked lotus in the back of the temple. All kinds of decorations and fairies are carved around the doors and false windows. The Buddha statues carved on the lintel of the doors are still acceptable for preservation. The ramshackle temple doors were supported by wooden frames. It is said that it was a Buddhist temple in those days.

Located on a hill several meters high in the northeast corner of Saint Sword Temple, surrounded by woods, tourists are extremely scarce, so the restoration work is suspended. Prey Temple was built between the end of the 12th century and the beginning of the 13th century. It was a Buddhist temple. At present, there are East Tower Gate, Tibetan Classic Pavilion, Central Tower and a small number of walls, lintel relief and wall fairies, false window carvings are still clearly visible, belonging to the Bayan style.

Most tourists will ignore the small temple, and even a variety of tourism books are rarely introduced, so that even foreigners rarely come here. The destruction of relief is serious, only part of the lintel carvings are still relatively clear. At present, the repair work is in suspension, and several places are supported by wooden frames. For non-architectural, artistic and historic enthusiasts, most visitors can ignore this scenic spot.